Archive for the ‘landscape photographers’ Category

Getting To Know International Centre Of Art For Social Change Better

The International Centre Of Art For Social Change or ICASC is a website dedicated to support artist that want to effect social change. Students can enroll in the academy and get involved in the many programs that they offer. This institution recognizes the need to give emerging talents a forum to blossom and grow. Many aspiring artists have been discouraged to indulge in their love since the facilities that encourage artistic expressions come far in between.

The Beginning Of ICASC

ICASC was founded by the Judith Marcuse Projects to give a helping hand to various organizations that delve into art for social change. These organizations are located beyond the borders of Canada and the United States. These men and women of the arts have discovered the urgency of training, educating and even garnering international contacts in order to gain growth in their field of artistic interest.

Since then, they have effectively used new techniques as various institutions and organizations (whether government or non-government) have seen the resounding effect art has on social change and vice versa. The many world issues today such as racism, HIV/AIDS, hunger, poverty and even the recent proposition 14 have moved countless artists into expression. This surge of energy is all well and good but without the proper guidance it just becomes another drawing on the side of a milk box.

The Reason For Being

This type of misguidance among young artist is what moved the ICASC into action. They organized their strength to reach out to the many artists around the world and offer them guidance in their chosen discipline. Instructors are more than willing to part with the knowledge they have collected through the years as they have also recognized that art is important in making people discover how to see the world in a different light.

The primary instructors and founders of this wonderful institution have seen the lack of options for those who want to pursue further studies in the field of arts for social change. They offer willing students the chance to work with and learn from senior and seasoned artists in their own fields. A mentorship program comes along with the learning experience making sure that a true artist emerges from the program. There are fixed courses available for those who wish to take a formal learning approach.

Young artists that want to make a difference through the art they produce are encouraged to join. These young kids will be introduced to other passionate artists such as themselves and the chance to exchange ideas will lead to a more interesting work of art. Guidance and proper teachings will be taught by mentors who are renowned in their field. A big bonus is the chance for students to immerse themselves in communities and dialogues making them more in tune with the current issues of the world. There is no limit to the imagination and like a flowing river; these passions need to be harnessed in the right direction. There is no doubt that art and social change are almost symbiotic with one another.

What You Need To Know About The Book “Art And Social Change: A Critical Reader”

The book “art and social change: a critical reader” tells about how art influences social change. They try to break down and dissect how art and social change is interrelated. This book came out in 2007 as a partner to the previous volume of the Classic Forms of Resistance. This particular publishing, however, is made of a vast collection of texts and manifestos which have been separated into 4 main chapters. They have been grouped together according to their relevance in either political or social history.

The four main sections of the book are namely: the Paris Commune of 1871, the Soviet Revolution of 1917, the social uprisings of 1968 and the 1989 revolutions in the former Eastern Bloc. The editors, Will Bradley and Charles Esche, invited 6 critics to give their own unique interpretation for some of the texts in the anthology. These critics have been more than careful to ensure that the conversation is light and that the soul of the book lies in the historical documents archived by the artists and activists. They bring light to the texts highlighted but are careful enough not to put in their own biases when possible.

The book takes on a genealogical approach which allows the reader to come up with his own interpretation of the progress of the material and even the relevance of the topic to present times. A genealogic approach focuses on the continuity and avoids numerous layers of time and dates. This makes the book more focused on the relevant transitions in the arts and also the changes in society whether it is through politics or human behavior.

The book claims to be centrally focused on the “globalization of modernism”. Critics that have actually gone through the book often argue that this is only partly true. They feel that the editors have not looked into or might have purposely ignored the Social arts from southern European countries such as Spain, Italy or even Greece. Even more so, is the complete absence of relevant texts from authors coming from the Asian or Australian continents where “globalization of modernism” is said to have taken place for a number of decades.

In fairness to the editor’s, they have also paid tribute to several countries such as France, England, Germany, the Netherlands and several Eastern and Northern European nations. Though the majority of the book has been mainly composed of contributions from authors from the America’s such as the United States, Brazil, Chile and Argentina, it is baffling to note that the mural painting movements in Orozco, Rivera and Siqueiros in Mexico have not been given any mention at all nor has the commercialisation of art and the dangers associated with it been discussed. This last point is an obvious omission considering the recent debates over how art was being used in advertising (such as these luminess air reviews) to sell the ideas of a social conscience but solely for profit.

The broad scope of the book only leaves more room for more artists in the future. Though well interpreted, it still lacks the balance to be able to project a fair accounting of the progress of art with regards to social change. The next volume should put a focus on the sub cultures and creative expressions brought about by social movements during the past to the present.

The Funny Thing About Photography And Social Change

The art, artist and the medium in which they are expressed are constantly evolving. They move with the times, with the trends and even the political climate. When feelings are expressed through art and those art forms start a new way of thinking then in effect social change occurs. Today, there has been a craze in the field of photography and artists from this field are beginning to emerge.

They take more than just photos or mere portraits, not at all, but they immortalize images that no words can easily describe.  They awaken emotions and this is what makes it art. When the heart skips a beat when one gazes at a picture of a dying soldier or a young child being held in his mother’s arms in the middle of a gun fight is more than heartbreaking, that is art. No amount of words can describe the scene unlike that of a photo.

The Debate On Photography Being Art

Art photography has been likened to the impressionist paintings of Monet, Renoir, Degas and even Van Gogh. The works of these artists have stood the popular trends and even to this day still garner the same amount of awe as they have during their time. Though, during their period, not all of these artists were even considered to be worthy of the title at first glance.

Same holds true for the emerging photographers now that have incited a mixed range of emotions by the images they have captured. To the common art ignoramus, the fact that an image is able to excite, sadden or inspire is a already considered to be art. Art exhibits showing their pieces have been opened to mix reviews and critics have found some works to be very much worthy of praise. This is more than enough acknowledgement recognizing photography as indeed a form of art.

Photography And Social Change

Perhaps complicating the debate is the ubiquity of photography in everyday life. If photography is art, where does one draw the line, or do they draw one at all? To some critics, the Facebook selfie will never achieve museum status, while to others, all forms of photography should be embraced as art, whether it’s lowbrow popular cinema or the self-improvement shots you’d find in an Insanity Workout review or similar forum.

Photographs, like paintings, can paint a thousand words. Pictures taken from the war in Iraq, Afghanistan and even Syria have raised awareness in the situation there. This awareness has put into action social changes that are changing government, people and even political doctrines.

Documentary photography has been one of the most effective mediums used to encourage social change. The chronicling of historic events or the progressive narration of present events makes this a moving tool that has captured the essence of life as seen through the lens of the photographer or the artist.

Impressionism in photography is explained in the same way as that of paintings. It is not what is looks like that makes it art, but rather how it was seen through the lens of the photographer. Even if it is just a picture of a mountain, it is not just the mountain that an artist sees, but he also intends to capture the trees lining the slope and even the curve of the hill. This is what makes photography a form of art although it is also used in educational programs such as the accredited hooked on phonics education system. When the picture captures images that incite feeling, then it can also incite social change in one way or the other.